Wechat · manuscript ∣ Zhang Zonggang: the beauty and temperament of Dai Weina's Poetry
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2020-04-06
Zhang Zonggang, director, researcher, associate professor, Ph.D. and master's supervisor of poetry research center of Nanjing University of technology, member of Chinese Writers Association, director of Chinese prose Association, vice president of Jiangsu prose Association, vice president of Jiangsu reportage Association, visiting scholar of University of Iowa, USA. Mainly engaged in contemporary poetry, prose, fiction, Reportage Research and criticism. In 2007, he was selected as "today's critic" in Southern Literary Circle. He has won Bingxin prose award? Theory award, Jiangsu Zijinshan literature award? Literature Review Award, Jiangsu Changjiang cup Literature Review Award, Jiangsu Zijin Literature Review Award, Jiangsu literature review award of Literature Federation, Jinling literature award? Literature Review Award, etc.
The beauty and temperament of Dai Weina's Poems
Zhang Zong Gang
The first reason to pay attention to Dai Weina is because of the word "Wei" in her name, which is related to my hometown, Weifang, Shandong Province. Later, I learned that her birth experience had nothing to do with the word "Wei". In fact, she is the daughter of Jiangsu, Nantong and Rudong.
Poet Dr. Dai Weina, whose beauty has always been used to talk about things - thank God, gave her proud beauty, naturally, this will make her become the darling of the face watching era. Dai Weina's eyes are like water, dimples are like flowers, and she has many talents. She has a green temperament of "washing the ripples without demons", which is widely regarded as a wonderful person of Lin Huiyin style in the circle. However, no matter how beautiful a fairy sister is, she will also grow old. In a simple sense, a beautiful person will grow old because she has nothing to lean on, which is often the worst. Therefore, the so-called "beauty value" is just a passing sight. There must be something beyond the beauty value behind it. Dai Weina, a woman of the world of mortals, is not only well groomed, but also has exquisite makeup and sweet voice. What's more, she also has the education, learning ability and mind matching with this. Dai Weina's hometown is located in Rudong County, Nantong City, Jiangsu Province, which is a big province of college entrance examination with abundant talents (according to the cloud industry, there is a saying that "national education looks at Jiangsu, Jiangsu Education looks at Nantong, Nantong education looks at Rudong"). This academic bully, who is good at both arts and science, entered the Department of foreign affairs of Renmin University of China with the achievements of the top 20 in the province's Arts in the college entrance examination. After several years, he has studied both diplomacy and philosophy He graduated from Oxford University and received a doctorate from his alma mater. Now he works in the Foreign Language Institute of the Chinese Academy of social sciences. ——The so-called famous school's blessing and glory all the way are probably her characters. "Always, the most chaste people write the most extravagant poems, and the most pure words have the most turbulent soul in them." (Dai Weina's gymnastics of the soul), as a poet, Dai Weina's text strives to break through the homogenization of writing, express one's own cultural thinking excellently without group, and obtain the sharpness, height and depth in the ideal. It can be said that poet Dai Weina is sexy - this sexy mainly comes from spirit and aesthetic, which is a kind of spiritual sexy and aesthetic sexy.
Writing poetry, translation, reading, drama, salon, TV, novel, learning This is Dai Weina's daily life. She is busy and full, and has an active attitude of participating in all things in the world. Dai Weina's talent is brilliant and she works hard. Although, in our time, there is no need to have such talent as well as such beauty. Among all kinds of appellations, my cousin (cousin), whose writing, translation and drama are centered on poetry, constitutes her life subject and spiritual pillar. Dai Weina resists the vast nothingness, and tugs with the eternal, and makes the individual's small universe explode frequently. People and poetry, people and freedom, how should this be a grand meeting, a warm meeting?
Dai Weina, with her beauty, wisdom and talent, is like the combination of Venus and Athena, the God of wisdom in ancient Greek mythology, which just coincides with the Chinese pronunciation of her name. Writer Xu Xiaobin once called Dai Weina "noble temperament". In fact, it doesn't matter whether "aristocracy" exists. Besides, in China, whether there is a real aristocracy or not is still a question. However, we can be sure that Dai Weina's writing style is just like that, full of temperament, which not only opens inward and expands further, but also radiates outward and climbs upward, presenting elegant and intelligent intellectual intellectual writing and pure academic writing. Her text, rules and regulations are strict and free, and she can see the nature and love by using her pen. The strange dramatic context that she often presents may be related to her love for drama all the time. It should be the standard feature of Dai Weina's text to strengthen the effect of poetry by means of drama. In her poems, you can easily feel the taste of dialogism and monologue, the implantation of conflict drama situation and classical image, and the fusion of modern scene to produce specific meaning. "Love you with the speed of a snail's travel around the world" wrote: "moss is the centipede essence on the way / white belly catching its green shoes / don't be surprised Reluctant to love the world in this way / just like the taste in the baby's mouth is not long yet / love for a long time to be longer / I love you with the speed of snail travel around the world / between two lives ", the strokes are fresh and flexible, sharp teeth and teeth, but delicate and moving; the witty and jumping language radiates the sharp edge of criticism, the pleasure of reflection, the sour and cool of subversion, and the aura of witchcraft.
Dai Weina adheres to the enlightenment concept of the May 4th sages, adheres to the unity of human poetry, and is eager to let poetry and beauty live in the forest of daily life like a bird. Most of her poems have strong fable color, fairy tale meaning and distinct value orientation. "You sleep on your white bones every day / you sleep on your collapsing city every day / / you wake up, lift yourself out of the mud / you change clothes, put on terrible thoughts / you read, kiss people in the mirror / you work, desire to live in prison / you have children, and you can't survive without duplicating yourself / you can't be guilty without duplicating yourself" (bad gym), a strange sentence pattern corresponding to jumping temperament The context of abnormal state, like lightning, hit people instantly. "A fox in Royal dress at night, the ground is black under his feet / / the city branches stretch their arms to the deep pit in the sky / the rabbit with a hunchback put on a silver suit / the giraffe bathes in the waterfall at Chanel 5 / every narrow sewer is connected with a monument For generations, it was a ladder for foxes to return home, a way for foxes to stare at crystal balls, a way for poets to miss their asteroids. "Midnight fox focuses on animals and plants with different moods, especially the little fox, who can't walk upright because of grief. It is endowed with a strong sense of action and dynamic motion, and a weird view of human nature and world affairs In the paradoxical expression, the ambiguous fairy tale style and complex psychedelic color are highlighted.
In her poems, Dai Weina often subconsciously displays her knowledge pedigree and humanistic quality, and insists on the multiple intersection of culture, history, geography and philosophy. "Fried snow" wrote: "the first useless man in the capital is next to the last Confucian scholar / my loved ones are among them / why not learn to fish with eloquence / use unfaithfulness to maintain their loyalty / in this way, in the snowy days / I also love your enemy", with outstanding calcium, distinct bone feeling, and at the same time, there is no lack of water tenderness; the combination of intelligence and spirituality makes the text transparent The distinct feminism tendency and the characteristics of female literature radiate the strong modern consciousness. The sentence pattern of "expensive" is strange and funny: "face to face life is long / like / lying on the mirror and dying / / the mirror in the bedroom must buy expensive / it determines your self righteous image / the same is true of men at home Shoes must be expensive / people are not in bed all their lives, just on shoes Bed must also be expensive / unlike shoes, you can't be stingy with death / when do you have sex? /-- when you want to die ", a kind of aggressive intellectual style surging out, spiritually dense sentence, like the whisper of a beautiful witch, like the bleakness of a summer rose, conveys the sigh of all kinds of sins and punishments on earth, and expresses the disdain and resistance to the ordinary life.
More detours, more twists and turns, naturally, will bring more grace and weight. Even the most humble wishes and the most remote starlight can be turned into tenacious poetic power. Dai Weina is a graceful ballerina, with the spirit style strokes, forging the texture of language, graceful posture and exquisite figure. "One day in a certain year, a casual look back / Jiangnan which has been completed for several generations / thick black braids which have been bunched up in spring / hanging from the ship's edge to the water surface / forming a bleary Red Lotus / Jiangnan It's time to grow up in a small and exquisite alley. "This poem" thin Jiangnan "describes the boat, rain water, water chestnut, ice edge broken in early spring, and the sound of the ancient men and women exchanging green pendants for life, which shows the pure classical form in the context of the traditional culture and Ming Dynasty, which is sealed like a thousand years old wine. It can be said that it's a song and a song, but it's probably the painting The face is too quiet and easy, too calm, the poet even eager to "meet a real robber, it is a kind of happiness to be taken away". Finally, in the face of the ever-increasing fragmentation of the classical scroll under the pressure of the grand chariot in the post industrial era, the author can't help asking: "Jiangnan, will it grow old too?"? /I believe that there is no gods to live with / endure, and endure watching Jiangnan lose weight day by day / / I would rather you die when you are beautiful than see you lose weight and grow old / with tears in your eyes, turn your back and leave Jiangnan / to cry for a thin red lotus Jiangnan, your haggard face stabbed a red lotus in my chest / one day, it is said that Jiangnan died / had already died or died hundreds of times / planted red or white flowers before a funeral. "When poetry does not exist, when divinity recedes, what is a poet? Through "thin Jiangnan", Dai Weina laments the time of youth, mourns the fleeting years, and mourns the classical times. She composed an elegy to the genealogy of farming civilization which is gradually moving away.
In the poem "Repetition" written by Dai Weina in Moscow, the omnipotent "I" is like the truth fighter in the flood of time, fully armed and ready: "galloping in yesterday's empire, I am the ghost of time / from albard street to the innocent snowplain of Siberia / I have walked through most of the world, but I am still a small town girl / I never know when I am heavy Fu ", a poet who is dedicated to exploring the truth of the world, is like a well-organized director who dispatches the language butterfly calmly and freely, and makes the text appear as a polyphonic ensemble, in order to reach the individual's mind and sharpness. "Every day, I try to imitate my young self / and give up / tell myself her before dark again and again. I will be the bride of tomorrow / / I dare to be ugly alive and die to be beautiful". There is no doubt that the main body depicted in the poem has already broken through the limit of physical time and space, with iron blood temperament and piercing the dark, and become the witness of confusing history and the judge of human destiny.
In Dai Weina's poems, clear reason and strong sensibility are often in harmony. "A woman with poor color is accompanied by only one line of poetry / / when she was young, she was in exile among men / when she was old, she became an untraceable fugitive The darkness suddenly came, like a stone falling / who was hit, who was Xuanzang on his way to the dark sky ". The brushwork of exchange was abrupt, just like the collision of Mars